
Infinity Series 367
The Infinity Series 367 organ features 3 keyboard manuals with LED lighted or mechanical drawknobs. Rodgers’ unique high-resolution sampling process employs up to 8 microphones to record the authentic sound from legendary pipe organs across the country as well as around the world. Direct Streaming Technology allows the organ’s hundreds of voices to be mixed-and-matched however the performer desires. No reboot is required – All voices are available at all times! The Infinity 367 also features built-in Bluetooth® technology for AirTurn™ hands-free page turning controlled by thumb or toe pistons for music displayed on mobile device.
- 3 manuals, 75 Stop Controls (67 primary controls + 8 library controls)
- 382 real-time accessible Organ Voices
- 61 Orchestral Voices
Magnificent Highly Defined Sound
Developed with Rodgers’ new Natural Pipe Realism™ technology, the sound of Infinity Series organs is simply glorious. The specification spans various tonal genres, providing extraordinary musical expressiveness and versatility. Rodgers’ unique sampling process with up to 8 microphones captures the most detailed, authentic pipe organ sounds ever. With state-of-the-art Dimensional Sound Placement technology, the distribution of the sound creates an unprecedented level of realism. The Infinity Series, based on Roland’s powerful SSC technology, delivers the most authentic pipe organ sound available in a digital organ.
Extensive Onboard Library Access™
Rodgers’ long-standing leadership in instantly available organ flexibility has now been expanded with Library Access controls. Library Access allows the addition of any selection from the built-in Sound Library. Each selection can be user-voiced for volume, octave shift, tuning, warmness, presence, and brilliance, then saved to a piston for instant recall. The Model 367 has two Library Access controls each for the Swell, Great, Choir and Pedal divisions.
Pipe Ready for Total Flexibility
All Infinity Series consoles are pipe-ready and easily pair with new or existing pipes. You’ll also enjoy enhanced control and flexibility with our Voice Palette™ system, which allows you to select digital and pipe voices individually for perfect ensemble balance.
Wireless, Bluetooth and Mobile Device Support
Rodgers Infinity organs offer built-in support for AirTurn™ hands-free page turning using a mobile device right from the console. Store sheet music on your mobile device, then turn the pages using programmable thumb or toe pistons while you keep both hands on the keyboards. In addition, Infinity organs are compatible with Rodgers Remote, a free app for the iPhone that permits you to remotely play back your own recorded music or songs from the Hymn Player, including the ability to change the volume, tempo and key.
Exquisite Console Construction
The Infinity Series premieres elegant new console designs finely crafted from top-quality rift-sawn hardwood veneers in dark, medium and light oak standard finishes or optional custom finishes. Every Infinity Series organ comes with a glass-top lattice music desk that adjusts in four directions, an adjustable-height bench with music storage compartment, a central color OLED menu screen, premium console trim, and a locking hardwood rolltop. Adjustable LED lighted drawknobs come standard, with optional mechanical action controls.
Note-Worthy Keyboards & Pedalboards
PerformanceTouch keyboards with Ivory Feel surfaces are a Rodgers exclusive feature, with optional tracker-touch available. They’re velocity-sensitive to allow delicate control of MIDI orchestral voices. Optional velocity-sensitive wood keyboards can be ordered in a variety of key surface coverings, manufactured by Ulrich Hermann Tastaturbau in Germany. Rodgers’ distinctive self-contained 32-note concave, radiating pedalboard automatically calibrates precise firing and release points. The pedal keys are also velocity-sensitive, ideal for orchestral voices such as Timpani. Parallel pedalboards are available.
Innovative Performance Features and Luxury Come Standard
The Infinity Series continues Rodgers’ leadership in digital pipe organ technology.
- User-customizable functions for thumb pistons, toe pistons, and rocker tabs
- Extensive user voicing capabilities
- Floating Solo division controlled by drawknobs
- Organ Type piston instantly activates American Eclectic, English Cathedral, French Romantic or German Baroque stops, with no loss of ability to select from the entire stoplist
- Full general and divisional combination action
- Built-in record/playback system
- Hymn Player with 350 popular hymn tunes including prelude & verse, with the ability to change the tempo, volume, key, and stop registration
- 99 internal memory levels
- USB storage for song data and registrations
- Adjustable digital Zimbelstern, Tremulants, Crescendo sequence, and Tutti registration
- Piston sequencer (Next, Previous)
- Easy-to-read central color OLED screen for menus and adjustments
- Transposer for real-time performance or playback of song data files
- Pipe-ready to play new or existing pipe configurations
- Full MIDI system ready for an external sound module
- Stereo headphone jack included for silent practice.
- Fully-adjustable music desk for just the right playing position
- Premium adjustable bench with music storage
Model 367 Specification
| Couplers | American Eclectic | English Cathedral | French Romantic | German Baroque |
|---|---|---|---|---|
GREAT |
||||
| Swell to Great 16 | Violone 16’ | Double Open Diapason 16’ | Montre 16’ | Prinzipal 16’ |
| Swell to Great 8 | Principal 8’ | Open Diapason 8’ | Montre 8’ | Prinzipal 8’ |
| Swell to Great 4 | Diapason 8’ | Second Diapason 8’ | Flûte Harmonique 8’ | Salicional 8’ |
| Choir to Great 16 | Chimney Flute 8’ | Rohrflute 8’ | Bourdon 8’ | Rohrflöte 8’ |
| Choir to Great 8 | Gemshorn 8’ | Salicional 8’ | Gambe 8’ | Quintatön 8’ |
| Choir to Great 4 | Octave 4’ | Principal 4’ | Prestant 4’ | Oktave 4’ |
| Solo to Great 8 | Spitzflute 4’ | Waldflute 4’ | Flute Ouverte 4’ | Gemshorn 4’ |
| Quinte 2-2/3’ | Twelfth 2-2/3’ | Quinte 2-2/3’ | Nasat 2-2/3’ | |
| Super Octave 2’ | Fifteenth 2’ | Doublette 2’ | Super Oktave 2’ | |
| Cornet V | Cornet IV | Cornet IV | Kornett V | |
| Fourniture IV | Mixture IV | Fourniture IV | Mixtur VI | |
| Trumpet 8’ | Tromba 8’ | Trompette 8’ | Trompete 8’ | |
| Tremulant | ||||
| Chimes | ||||
| Zimbelstern | ||||
SWELL |
||||
| Swell to Swell 16 | Bourdon Doux 16’ | Bourdon 16’ | Dulciane 16’ | Lieblich Gedackt 16’ |
| Swell Unison Off | Geigen Principal 8’ | Horn Diapason 8’ | Montre 8’ | Prinzipal 8’ |
| Swell to Swell 4 | Bourdon 8’ | Stopped Diapason 8’ | Bourdon 8’ | Holzgedackt 8’ |
| Choir to Swell 8 | Flute Céleste II 8’ | Unda Maris II 8’ | Flûte Céleste II 8’ | Gamba 8’ |
| Choir to Swell 4 | Viola Céleste II 8’ | Viole Céleste II 8’ | Voix Céleste II 8’ | Schwebung 8’ |
| Solo to Swell 8 | Octave 4’ | Octave Gamba 4’ | Prestant 4’ | Oktave 4’ |
| Traverse Flute 4’ | Flute 4’ | Flûte Octaviante 4’ | Flöte 4’ | |
| Nazard 2-2/3’ | Quintflute 2-2/3’ | Nasard 2-2/3’ | Nasard 2-2/3’ | |
| Octavin 2’ | Lieblich Piccolo 2’ | Flute à Bec 2’ | Waldflöte 2’ | |
| Tierce 1-3/5’ | Seventeenth 1-3/5’ | Tierce 1 3/5’ | Quinte 1 1/3’ | |
| Mixture V | Full Mixture V | Plein Jeu V | Mixtur V | |
| Double Trumpet 16’ | Contra Trumpet 16’ | Bombarde 16’ | Posaune 16’ | |
| Trumpet 8’ | Trumpet 8’ | Trompette 8’ | Trompete 8’ | |
| Oboe 8’ | Cornopean 8’ | Hautbois 8’ | Dulzian 8’ | |
| Vox Humana 8’ | Voix Humaine 8’ | Voix Humaine 8’ | Vox Humana 8’ | |
| Clarion 4’ | Clairon 4’ | Petite Clairon 4’ | Rohr Schalmei 4’ | |
| Tremulant | ||||
CHOIR |
||||
| Choir to Choir 16 | Erzähler 16’ | Gemshorn 16’ | Violon 16’ | Geigen 16’ |
| Choir Unison Off | Principal 8’ | Diapason 8’ | Montre 8’ | Spitz Prinzipal 8’ |
| Choir to Choir 16 | Holzgedackt 8’ | Gedackt 8’ | Bourdon 8’ | Singendgedeckt 8’ |
| Swell to Choir 16 | Viole Céleste II 8’ | Gemshorn Céleste II 8’ | Viola Céleste II 8’ | Spitzgamba 8’ |
| Swell to Choir 8 | Erzähler Céleste II 8’ | Muted Violins II 8’ | Dulcett Céleste II 8’ | Unda Maris II 8’ |
| Swell to Choir 4 | Octave 4’ | Principal 4’ | Prestant 4’ | Oktav 4’ |
| Solo To Choir 8 | Koppelflute 4’ | Orchestral Flute 4’ | Nachthorn 4’ | Blockflöte 4’ |
| Klein Octave 2’ | Super Octave 2’ | Italian Principal 2’ | Oktave 2’ | |
| Zauberflute 2’ | Nachthorn 2’ | Piccolo 2’ | Gemshorn 2’ | |
| Larigot 1 1/3’ | Nineteenth 1 1/3’ | Quinte 1 1/3’ | Sesquialtera II | |
| Mixture IV | Mixture IV | Plein Jeu IV | Klein Mixtur III | |
| Corno di Bassetto 16’ | Basson 16’ | Hautbois 16’ | Dulzian 16’ | |
| Clarinet 8’ | English Horn 8’ | Bombarde 8’ | Schalmey 8’ | |
| Cromorne 8’ | Basson 8’ | Cromorne 8’ | Krummhorn 8’ | |
| Tuba Imperial 8’ | Royal Tuba 8’ | Chamade 8’ | Festival Trumpet 8’ | |
| Tremulant | ||||
SOLO (Floating) |
||||
| Grand Diapason 8’ | Major Diapason 8’ | Principale Violono 8’ | Bach Principal 8’ | |
| Flauto Mirabilis 8’ | Concert Flute 8’ | Flauto d’Orchestra 8’ | Hohl Flöte 8’ | |
| Cellos Céleste II 8’ | Violes Célestes II 8’ | Violoncellos Céleste II 8’ | Schwebung II 8’ | |
| Bombarde 16’ | Tuba Magna 16’ | Petite Bombarde 16’ | Pontifical Trumpet 16’ | |
| Trompette Harmonique 8’ | Chorus Trumpet 8’ | Bombarde 8’ | Trompete 8’ | |
| French Horn 8’ | English Horn 8’ | Oboe d’Orchestre 8’ | Regal 8’ | |
| Trompette en Chamade 8’ | Pontifical Trumpet 8’ | Tromba del Giubileo 8’ | Pontifical Trumpet 8’ | |
| Tremulant | ||||
PEDAL |
||||
| Great to Pedal 8 | Principal Bass 32’ | Double Open Diapason 32’ | Principal 32’ | Prinzipalbass 32’ |
| Swell to Pedal 8 | Contra Bourdon 32’ | Open Wood 32’ | Contra Violon 32’ | Untersatz 32’ |
| Swell to Pedal 4 | Principal 16’ | Open Diapason 16’ | Principal 16’ | Prinzipalbass 16’ |
| Choir to Pedal 8 | Subbass 16’ | Bourdon 16’ | Soubasse 16’ | Bordun 16’ |
| Solo to Pedal 8 | Echo Bourdon 16’ | Lieblich Bourdon 16’ | Bourdon Doux 16’ | Lieblich Gedackt 16’ |
| Violone 16’ | Cello 16’ | Dulciane 16’ | Grossgamba 16’ | |
| Octave 8’ | Diapason 8’ | Montre 8’ | Oktave 8’ | |
| Bass Flute 8’ | Flute 8’ | Bourdon 8’ | Gedeckt Bass 8’ | |
| Violoncello 8’ | Violon 8’ | Dulcett 8’ | Gross Quint 10-2/3’ | |
| Choral Bass 4’ | Fifteenth 4’ | Prestant 4’ | Oktave 4’ | |
| Mixture IV | Mixture III | Plein Jeu III | Hintersatz III | |
| Contra Bombarde 32’ | Double Waldhorn 32’ | Contre Hautbois 32’ | Bombarde 32’ | |
| Bombarde 16’ | Trombone 16’ | Bombarde 16’ | Posaune 16’ | |
| Trumpet 8’ | Tromba 8’ | Trompette 8’ | Trompete 8’ | |
| Clarion 4’ | Oboe 4’ | Clairon Harmonique 4’ | Rohr Schalmei 4’ |
Size and Weight
Console dimensions: Height 1293 mm (50.9”); Width 1756 mm (69.1”); Depth with pedalboard 1280 mm (50.4”). Weight: 367MV 354 kg (797.7 lbs); 367LT 341 kg (751.7 lbs).
Organ Manuals:
3 Manuals
Organ Controls:
Drawknob
Control Type Options:
LED lighted or Mechanical (optional)
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