
Infinity Series 489
The Infinity Series 489 organ features 4 keyboard manuals with lighted or optional mechanical drawknobs. Rodgers’ unique Direct Streaming Technology allows for extremely high-resolution, long samples taken with 8 microphones to capture the authentic sound from legendary pipe organs across the country as well as around the world. The Infinity 489 also features built-in Bluetooth® technology for AirTurn™ hands-free page turning controlled by thumb or toe pistons for music displayed on mobile device.
- 4 manuals, 98 Primary Stops
- 261 Voice Palette Organ Stops
- 120 Library Organ Stops
- 61 Library Orchestral Voices
- 531 real-time accessible stops
- Chimes and Zimbelstern
Magnificent Highly Defined Sound
Developed with Rodgers’ new Natural Pipe Realism™ technology, the sound of Infinity Series organs is simply glorious. The specification spans various tonal genres, providing extraordinary musical expressiveness and versatility. Rodgers’ unique sampling process with up to 8 microphones captures the most detailed, authentic pipe organ sounds ever. With state-of-the-art Dimensional Sound Placement technology, the distribution of the sound creates an unprecedented level of realism. The Infinity Series from Rodgers delivers the most authentic pipe organ sound available in a digital organ.
Extensive Onboard Library Access™
Rodgers’ long-standing leadership in instantly available organ flexibility has now been expanded with Library Access controls. Library Access allows the addition of any selection from the built-in Sound Library featuring 120 organ stops and 61 premium orchestral voices. Each selection can be user-voiced for volume, octave shift, tuning, warmness, presence, and brilliance, then saved to a piston for instant recall. The Model 489 has two Library Access controls each for the Swell, Great, Choir and Pedal divisions and one for the Solo division.
Pipe Ready for Total Flexibility
All Infinity Series consoles are pipe-ready and easily pair with new or existing pipes. You’ll also enjoy enhanced control and flexibility with our Voice Palette™ system, which allows you to select digital and pipe voices individually for perfect ensemble balance.
Wireless, Bluetooth and Mobile Device Support
Only Rodgers Infinity organs offer built-in support for AirTurn™ hands-free page turning using a mobile device right from the console. Store sheet music on your mobile device, then turn the pages using programmable thumb or toe pistons while you keep both hands on the keyboards. Your mobile device battery will never run down thanks to the high-power USB port located on the right end of the music desk – it’s always available to keep your device charged, and it’s capable of starting up an iPad even if its battery has been completely drained.
Exquisite Console Construction
The Infinity Series premieres elegant new console designs finely crafted from top-quality rift-sawn hardwood veneers in dark, medium and light oak standard finishes or optional custom finishes. Every Infinity Series organ comes with a plexiglass-topped lattice music desk that adjusts in four directions, an adjustable height bench with music storage compartment, a central color OLED menu screen, premium console trim, and a locking rolltop. LED lighted drawknobs come standard, with optional mechanical action controls.
Note-Worthy Keyboards & Pedalboards
PerformanceTouch keyboards with Ivory Feel surfaces are a Rodgers exclusive feature, with optional tracker-touch available. They’re velocity-sensitive to allow delicate control of MIDI orchestral voices. Optional velocity-sensitive wood keyboards can be ordered in a variety of key surface coverings, manufactured by Ulrich Hermann Tastaturbau in Germany. Rodgers’ distinctive self-contained 32-note concave, radiating pedalboard automatically calibrates precise firing and release points. The pedal keys are also velocity-sensitive, ideal for orchestral voices such as Timpani. Optional parallel pedalboard available.
Innovative Performance Features and Luxury Come Standard
The Infinity Series continues Rodgers’ leadership in digital pipe organ technology.
- User-customizable functions for thumb pistons, toe pistons, and rocker tabs
- Extensive user voicing capabilities
- Solo division controlled by drawknobs
- Organ Type piston instantly activates American Eclectic, English Cathedral, French Romantic or German Baroque stops, with no loss of ability to select from the entire stoplist
- Full general and divisional combination action
- Built-in record/playback system
- Hymn Player with 350 popular hymn tunes including prelude & verse, with the ability to change the tempo, volume, key, and stop registration
- 99 internal memory levels
- USB storage for song data (up to 2,574 memory levels per USB drive)
- Adjustable Zimbelstern, Tremulants, Crescendo sequence, and Tutti registration
- Piston sequencer (Next, Previous)
- Easy-to-read central LCD screen for menus and adjustments
- Transposer for real-time performance or playback of song data files
- Pipe-ready to play new or existing pipe configurations
- Full MIDI system ready for an external sound module
- Headphone jack included for silent practice.
- Fully-adjustable music desk for just the right playing position
- Premium adjustable bench with music storage
Model 484 Specification
| Couplers | Engraved Stop | Voice Palette 1 | Voice Palette 2 | Voice Palette 3 |
|---|---|---|---|---|
GREAT |
||||
| Swell to Great 16 | MONTRE 16’ | Violon 16’ | Prestant 16’ | Bourdon 16’ |
| Swell to Great 8 | DIAPASON 8′ | Voce Umana II 8′ | Dulciana Celeste II 8′ | |
| Swell to Great 4 | PRINCIPAL 8′ | Open Diapason 8′ | Octave 8′ | Montre 8′ |
| Choir to Great 16 | FLÛTE HARMONIQUE 8′ | Gemshorn Celeste II 8′ | ||
| Choir to Great 8 | CHIMNEY FLUTE 8′ | Bourdon 8′ | Rohrgedeckt 8′ | |
| Choir to Great 4 | GEMSHORN 8′ | 2nd Diapason 8′ | Salicional 8′ | Gamba 8′ |
| Solo on I | OCTAVE 4′ | Principal 4′ | Octav 4′ | Prestant 4′ |
| SPITZFLÖTE 4’ | Open Flute 8’ | Rohrpfeife 4′ | ||
| QUINTE 2-2/3′ | Tierce Mixture | Cornet V | ||
| SUPER OCTAVE 2′ | Waldflöte 2′ | Superoctav 2′ | Doublette 2′ | |
| FOURNITURE V | Rauschwerk IV | Mixtur IV | Fourniture XI | |
| CYMBAL IV | Acuta IV | Terz 1-3/5′ | ||
| POSAUNE 16′ | Trombone 16′ | Trompete 16′ | ||
| TROMPETE 8′ | Trumpet 8′ | |||
| CHIMES | Handbell Choir | |||
| ZIMBELSTERN | ||||
SWELL |
||||
| Swell to Swell 16 | BOURDON AMABILE 16’ | Contre Gambe 16’ | Contre Gambe Celeste II 16’ | |
| Swell Unison Off | DIAPASON 8’ | Geigen Diapason 8’ | ||
| Swell to Swell 4 | FUGARA 8′ | Gambe 8′ | ||
| Choir to Swell 8 | TRAVERSE FLUTE 8′ | Flute Harmonique 8′ | ||
| Choir to Swell 4 | BOURDON 8′ | Stopped Diapason 8′ | Fern Flute 8′ | |
| Solo to Swell 8 | FLÛTE CÉLESTE II 8′ | Unda Maris II 8′ | Viole des Anges II 8′ | Schwebung II 8′ |
| VIOLE DE GAMBA | Salicional 8′ | Viola 8′ | Viole Celeste II 8′ | |
| VIOLE CÉLESTE | Voix Céleste | Viola Céleste 8′ | Viola Céleste 8′ | |
| AEOLINE CËLESTE | Aeoline 8′ | |||
| PRESTANT 4′ | Viol Octave 4′ | Violinas II 4′ | Unda Maris II 4′ | |
| FLÛTE TRAVERSIËRE 4′ | Echo Flute 4′ | |||
| NAZARD 2-2/3′ | Twelfth 2-2/3′ | |||
| OCTAVIN 2′ | Fifteenth 2′ | |||
| TIERCE 1-3/5′ | Cornet III | |||
| CHORUS MIXTURE IV | Plein Jeu IV | Fourniture V | Grosse Fourniture III | |
| CYMBAL VI | Scherp III | |||
| DOUBLE TRUMPET 16′ | Contre Trompette 16′ | Bombarde 16′ | Fagotto 16′ | |
| TRUMPET 8′ | Trompette 8′ | Trompette 8′ | ||
| HAUTBOY 8′ | Hautbois 8′ | Hautbois 8′ | Rohr Schalmei 8′ | |
| VOX HUMANA 8′ | Voix Humaine 8′ | Voix Humaine 8′ | ||
| CLAIRON 4′ | Clairon 4′ | Clairon 4′ | Schalmei 4′ | |
CHOIR |
||||
| Swell to Choir 16 | ERZÄHLER 16′ | Bourdon 16′ | Dulciana Celeste 16′ | Quintaton 16′ |
| Swell to Choir 8 | MONTRE 8′ | Principal 8′ | Octave 8′ | |
| Swell to Choir 4 | GEDACKT 8′ | Cor de Nuit 8′ | Gedeckt 8′ | |
| Choir to Choir 16 | CONCERT FLUTE 8′ | Doppelflöte 8′ | Viole 8′ | Quintadena 8′ |
| Choir Unison Off | VIOLE CËLESTE | Dulcet III | Muted Violins 8′ | Principal 8′ |
| Choir to Choir 4 | ERZÄHLER CËLESTE II 8′ | Unda Maris II 8′ | English Diapason 8′ | |
| Solo to Choir 8 | PRINCIPAL 4′ | Fugara 4′ | Muted Viols II 4′ | |
| KOPPELFLÖTE 4′ | Flute D’Amour 4′ | Rohrflöte 4′ | ||
| KLEIN OCTAVE 2′ | Doublette 2′ | |||
| ZAUBERFLÖTE | Piccolo Harmonique 2′ | Waldflöte 2′ | ||
| LARIGOT 1-1/3′ | Cornet III | Sesquialtera II | Cornet de Violes III | |
| RAUSCHWERKE IV | Grave Mixtur IV | Kleine Mixture III | Sifflöte 1′ | |
| MIXTURE V | Zimbel IV | Jeu de Clochette II | Neuviéme 8/9 | |
| COR ANGLAIS 16′ | Corno di Bassetto 16′ | Rankett 16′ | ||
| BASSON 8′ | Baryton 8′ | Trompettes II 16+8 | ||
| CROMORNE 8′ | Clarinet 8′ | Dulcian 8′ | ||
| TUBA IMPERIAL 8′ | Fanfare Trumpet 8′ | |||
SOLO |
||||
| Solo Unison Off | GRAND DIAPASON 8′ | Cellos Celeste II 8′ | Major Diapason 8′ | |
| FLAUTO MIRABILIS 8′ | Flûte Traversière Harmonique 8′ | Bourdon 8′ | Viol des Anges II 8′ | |
| MAJOR OCTAVE 4′ | Orchestral Flute 4′ | Flûte Harmonique 4′ | Viole Chorus VI | |
| TIERCE MIXTURE X-VII | Grave Mixtur IV | Mounted Cornet V | Cornet des Violes III | |
| BOMBARDE 16′ | Tuba Magna 16′ | Dulzian 16′ | ||
| TROMPETTE HARMONIQUE 8′ | Tuba Mirabilis 8′ | Baryton 8′ | Orchestral Oboe 8′ | |
| FRENCH HORN 8′ | English Horn 8′ | Shalmei 8′ | Vox Humana 8′ | |
| CLARINETTE 8′ | Quint Trompet 5-1/3′ | Regal 8′ | ||
| CLAIRON HARMONIQUE 4′ | Tuba Clarion 4′ | Rohr Schalmei 4′ | ||
| TROMPETTE EN CHAMADE 8′ | Tuba Imperial 8′ | Tuba Major 8′ | Llamadas II 16+8 | |
PEDAL |
||||
| Great to Pedal 8 | GRAVISSIMA 64′ | Ophicleide Heroique 64′ | Quinte 21-1/3′ | |
| Swell to Pedal 8, 4 | PRINCIPAL BASS 32′ | Montre 32′ | Contra Geigen 32′ | Erzähler Celeste II 32′ |
| Choir to Pedal 8 | CONTRA BOURDON 32′ | Untersatz 32′ | ||
| Solo to Pedal 8 | CONTRA BASS 16′ | Principal 16′ | Montre 16′ | |
| SUBBASS 16′ | Unterbass 16′ | Bourdon 16′ | ||
| BOURDON AMABILE 16′ | Quintaton 16′ | |||
| VIOLONE 16′ | Cello Céleste II 16′ | Dulciana 16′ | Dulciana Celeste II 16′ | |
| ERZÄHLER 16′ | Major Bass 16′ | |||
| OCTAVE 8′ | Principal 8′ | Prinzipal 8′ | Octave 8′ | |
| GEDACKT BASS 8′ | Flute Ouverte 8′ | |||
| VIOLONCELLO 8′ | Cello Celeste II 8′ | Unda Maris II 8′ | Gemshorn 8′ | |
| CHORAL BASS 4′ | Fifteenth 4′ | |||
| NACHT HORN 4′ | Cor de Nuit 4′ | Unda Maris II 4′ | ||
| MIXTURE IV | Hintersatz IV | Quinte Flute 10-2/3′ | Harmonics V | |
| CONTRE BOMBARDE 32′ | Ophicleide 32′ | Bass Pousane 32′ | ||
| BOMBARDE 16′ | Tuba Magna 16′ | Pousane 16′ | ||
| TRUMPET 16′ | Fagotto 16′ | Basson 16′ | ||
| TROMPETTE EN CHAMADE 8′ | Tuba Mirabilis 8′ | |||
| TROMPETTE 8′ | Trumpet 8′ | Tuba Major 8′ | ||
| CLAIRON 4′ | Clarion 4′ | Rohr Schalmeu 4′ |
Size and Weight
Console dimensions: Height 1363.2 mm (53.67”); width 1806 mm (71.1”); depth with pedalboard 1357.1 mm (53.43”). Weight: 484MV 312 kg (688 lbs); 484LT 293 kg (647 lbs).
Adjustable Bench: Height minimum 620 mm (24.41”), maximum 696.5 mm (27.42”); width 1250.3 mm (49.22”); depth 434 mm (17.09”). Weight 39.5 kg (87 lbs).
Pedalboard: Weight: 43.5 kg (96 lbs).
Organ Manuals:
4 Manuals
Organ Controls:
Drawknob
Control Type Options:
Mechanical (optional)
Lighted
Get News and Discounts Delivered to Your Email
FOLLOW US IN OUR SOCIAL NETWORKS